Unknown painters – An Allegory of the Tudor Succession- The Family of Henry VIII
c.1590. 114×182
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the central male figure are several individuals, presumably members of his family. To his left stands a man in elaborate attire, seemingly a younger relative or advisor. Beside him is a young girl, her presence likely intended to symbolize future generations and continuity. The seated figure’s wife occupies the position to his right, adorned in opulent garments that mirror his own grandeur. Two further women stand adjacent to her; one appears to be a daughter, while the others role remains less clear but contributes to the overall impression of familial unity and lineage. A young boy is held by the woman seated next to the central figure, emphasizing the importance of succession.
Beyond the immediate family group, architectural elements frame the scene. Two columns rise from either side, supporting a draped canopy that creates a sense of enclosure and ceremonial significance. Through these columns, glimpses of a distant cityscape are visible, suggesting the extent of the ruler’s dominion. A soldier stands to the left, holding a spear and shield; his presence serves as a visual reminder of military power and protection.
The color palette is dominated by rich reds, blues, and golds, all contributing to an atmosphere of luxury and importance. The lighting is carefully controlled, highlighting key figures and details while maintaining a sense of solemnity.
Subtly embedded within the scene are layers of meaning related to dynastic continuity. The inclusion of children underscores the desire for a secure line of succession, a critical concern given the political instability often associated with royal transitions. The arrangement of the family members – the central male figure surrounded by his kin – is designed to project an image of stability and legitimacy. The distant cityscape visible through the columns implies a vast territory under the ruler’s control, further reinforcing his power. Overall, the work functions as a carefully constructed visual statement intended to legitimize authority and secure the future of the ruling house.