Unknown painters – Charles II of England
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see an abundance of dark, wavy hair cascading around the shoulders, suggesting a certain degree of informality or perhaps even melancholy. The skin tone is pale, rendered with subtle shading that conveys a sense of realism despite the limited detail. The eyes are downcast, conveying introspection or weariness. A slight downturn to the mouth hints at a somber mood.
The man’s attire immediately signals status and authority. He wears an elaborate robe, predominantly red with intricate white detailing and what appears to be a golden orb and cross suspended from a chain – symbols strongly associated with royalty. The meticulous rendering of the fabrics texture contrasts with the looser brushwork used for the hair and background, further emphasizing the subject’s elevated position.
The unusual perspective – the head turned so dramatically – creates a dynamic tension within the composition. It disrupts any sense of formality typically expected in royal portraiture. This angled presentation might suggest vulnerability or perhaps an attempt to present a more humanized image of power, moving away from idealized representations.
Subtly, theres a feeling of introspection conveyed through the subject’s gaze and posture. The cropped composition reinforces this inward focus; we are invited to contemplate his thoughts and feelings rather than simply admire his outward appearance. The overall effect is one of quiet dignity tinged with an underlying sense of burden or contemplation – a portrait that seeks to reveal more than just a likeness, but also something of the subject’s inner state.