Unknown painters – Johannes Bureus (1568-1652)
1627.
Location: National Museum (Nationalmuseum), Stockholm.
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The composition incorporates symbolic elements arranged around the central figure within the oval border. These vignettes appear as small, painted scenes, each accompanied by Latin inscriptions. On the upper left, an eagle is visible alongside the words S SUPERES AQVILA, suggesting a connection to imperial power or divine vision. To the right, we see what appears to be a depiction of a celestial sphere with the inscription “INTREPTDO SVS CORD. & FIEL.” Below and to the left, a figure in motion is shown alongside “IVACVE IVVENIS,” while on the lower right, a bull stands near PRACGETERNVS. The date 1627 is inscribed centrally beneath the subjects chin, marking the year of creation. A Latin inscription runs along the bottom edge: FECIT MICH MAGNALIA QVI POTENS EST ET SANCTVM SANCTV NOMINE ELVS.”
The artist’s use of chiaroscuro – the contrast between light and dark – is notable. Light falls primarily on the subjects face, beard, and ruff, drawing attention to these features and creating a sense of depth. The darkness surrounding him isolates him within the frame, contributing to an atmosphere of gravitas and intellectual contemplation.
The symbolic vignettes suggest a complex web of associations relating to power, faith, youth, fidelity, and divine favor. They likely allude to the subject’s accomplishments or beliefs, functioning as visual shorthand for his identity and reputation. The overall effect is one of dignified portraiture intended to convey not only physical likeness but also intellectual and spiritual standing within a specific historical context.