Unknown painters – Von Hohenheim, called Teofrastus Paracelsus (1493-1541)
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered the subject’s features with a degree of realism, though softened by an overall tonal palette dominated by browns and ochres. The skin tone is pale, suggesting either indoor occupation or a deliberate aesthetic choice. A slight mustache and neatly trimmed beard contribute to a cultivated appearance. Light falls primarily from the left, illuminating one side of his face while leaving the other in shadow, creating depth and volume.
The inscription at the top right corner, though partially obscured, provides a name: Teofrastus Paracelsus. This detail immediately suggests an individual associated with intellectual or scientific endeavors. The style of dress – the hat, collar, and jewelry – places him within a specific historical context, likely the 16th or 17th century.
Subtleties in the painting’s execution suggest more than just a straightforward representation. The somewhat melancholic expression on his face could imply introspection or perhaps a burden of knowledge. The darkness surrounding him might symbolize the mysteries he sought to unravel, or the isolation that often accompanies profound intellectual pursuits. The careful rendering of textures – the fabric of his clothing, the sheen of his jewelry – speaks to an attention to detail characteristic of artists aiming for both realism and symbolic resonance. Overall, the portrait conveys a sense of learned authority combined with a quiet introspection, hinting at a complex personality engaged in serious study or practice.