Johan II (1458-1521), Duke of Cleve Unknown painters

The portrait presents a man in formal attire against a dark, indistinct background. He is positioned centrally within the frame, facing forward with a direct gaze that establishes a sense of authority and engagement with the viewer. The lighting emphasizes his face and hands, drawing attention to these key areas of representation.
He wears a distinctive red velvet cap adorned with an elaborate jeweled clasp, suggesting high status and possibly indicating allegiance to a specific court or order. A heavy fur-lined cloak drapes over his shoulders, its rich texture contributing to the overall impression of wealth and power. A thick chain necklace, also embellished with jewels, further reinforces this sense of opulence. The man’s hands are prominently displayed; one holds a rolled document secured by a large ring bearing an intricate design. This gesture implies responsibility, governance, or perhaps the possession of important legal or political records. The other hand rests on a table surface where a dark ribbon and a small sprig of foliage are placed.
Inscriptions appear to the left and right of his head: IOHANNES Z. D. G. COMES and DUX CLIVOR MARCHIE. These labels identify him by name, title (Count), and territorial designation (Duke of Cleves, Margrave). The lettering is rendered in a formal script typical of the period, intended to solidify his identity for posterity.
The composition adheres to conventions of Renaissance portraiture, prioritizing a realistic depiction of the subject while simultaneously conveying symbolic information about his position and character. The dark background serves to isolate the figure, focusing attention on his personage and emphasizing his importance. The inclusion of the document and ring suggests an emphasis on his role as a ruler and administrator. The sprig of foliage, though small, introduces a subtle element of naturalism into the otherwise formal setting, potentially hinting at lineage or personal interests beyond matters of state. Overall, the painting functions as a visual declaration of status, authority, and legitimacy.