Correggio – Nativity with Saint Elizabeth and the Infant Saint John the Baptist
c.1512. 77х99
Location: Pinacoteca di Brera, Milano.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
In the foreground, the Virgin Mary is shown kneeling, cradling the infant Christ, who is wrapped in white cloth on the ground before her. To her left, Saint Elizabeth kneels and holds the infant Saint John the Baptist. The figures are rendered with soft, illuminated skin tones against a darker, atmospheric background.
The setting appears to be a rustic grotto or stable, with rough stone textures and hints of the natural landscape behind. In the background, a path winds up a hillside towards a grove of trees, and a body of water can be seen in the distance under a dramatic sky. A broken column and fragmented architecture suggest a sense of ruin or antiquity, possibly alluding to the Old Testament fading with the coming of Christ. A few figures, including a man with a staff, are visible on the path, moving towards the central scene. Above, two putti or cherubic angels are depicted in flight, adding a celestial element to the earthly Nativity. To the right, a figure, likely Saint Joseph, rests his head on his arm, appearing to sleep, a common motif in Nativity scenes that emphasizes his passive role as protector.
The subtexts of the painting explore themes of divine birth, prophecy, and the continuity of salvation history. The inclusion of Saint Elizabeth and the infant Saint John the Baptist highlights the divinely ordained connection between Christ and his cousin, who, according to tradition, would pave the way for Jesuss ministry. The juxtaposition of the newborn Christ with the surrounding figures, particularly the elders and the symbolic background elements, conveys the profound significance of this moment as the Incarnation of God and the dawn of a new era. The presence of angels suggests the heavenly recognition and celebration of this miraculous event. The overall mood is one of quiet reverence and divine purpose.