Correggio – Madonna with St Jerome (The Day)
1527 1528 oil on panel
Location: National Gallery (Galleria Nazionale), Parma.
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The arrangement is framed by a large swath of crimson cloth that drapes from above, creating a theatrical backdrop. Beyond this curtain, a landscape unfolds – a distant town nestled within rolling hills and dense foliage. The light source seems to originate from the left, illuminating the figures’ faces and highlighting the textures of their garments.
The saints bare torso suggests an ascetic lifestyle, while his aged appearance conveys wisdom and experience. The youthful woman’s posture and expression suggest a sense of innocence and perhaps a desire for knowledge or understanding. The child’s gaze is directed towards the saint, possibly indicating a moment of instruction or revelation. The maternal figure displays a quiet dignity, her face conveying both tenderness and solemnity.
The landscape in the background introduces an element of earthly existence, contrasting with the spiritual focus of the foreground figures. The crimson cloth acts as a symbolic barrier between the sacred space occupied by the characters and the world beyond. A lion cub is present at the base of the saint’s figure, which could be interpreted as a symbol of strength or dominion, potentially referencing biblical narratives associated with saints.
The painting seems to explore themes of faith, learning, and familial devotion. The interaction between the figures suggests a narrative – perhaps an encounter between generations, a moment of divine revelation, or a lesson being imparted. The overall effect is one of contemplative stillness, inviting viewers to ponder the significance of the scene unfolding before them.