Chinese artists of the Middle Ages (徐渭 - 菊竹图) – Xu Wei
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Here we see a deliberate disregard for precise botanical representation. The plants are not depicted as idealized specimens but rather as they might appear caught in a gust of wind or observed fleetingly. This approach contributes to a feeling of immediacy and naturalness. The bamboo, particularly on the left side of the composition, extends vertically, creating a framework that contains the more chaotic arrangement of chrysanthemums.
The inclusion of calligraphic inscriptions positioned around the floral grouping introduces another layer of meaning. These characters, written in an expressive hand, appear to be poetic verses or personal reflections. Their placement is not integrated seamlessly into the visual field; instead, they seem almost superimposed upon the image, suggesting a dialogue between the pictorial and textual elements. The script’s style mirrors the looseness and energy evident in the brushwork of the plants themselves.
The overall effect conveys a sense of melancholy or introspection. The subdued colors and somewhat disheveled appearance of the flora evoke feelings of transience and resilience – the ability to endure despite adversity. The presence of the calligraphy, likely personal in nature, hints at an intimate connection between the artist and the subject matter, suggesting that this is not merely a botanical study but also a meditation on themes of aging, solitude, or the passage of time. The composition’s vertical format reinforces the sense of upward striving, perhaps symbolizing perseverance against challenging circumstances.