Chinese artists of the Middle Ages (龚贤 - 山水图(之一、二)) – Gong Xian
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The lower panel offers a contrasting view, presenting a more expansive vista. A winding path leads the eye into the distance, flanked by gnarled trees with bare branches – indicative perhaps of late autumn or early winter. A small pavilion, partially obscured by foliage, hints at human presence within this natural setting. Calligraphic inscriptions are visible on the right side, adding an element of textual commentary to the visual scene. The brushwork here is more delicate and nuanced than in the upper panel, conveying a sense of tranquility and quiet observation.
The pairing of these two fan leaves suggests a deliberate narrative or thematic exploration. The starkness and verticality of the mountain range in the first panel could be interpreted as representing challenges or obstacles, while the broader, more accessible landscape of the second panel might symbolize acceptance or resolution. The contrast in brushwork further reinforces this duality; the forceful strokes of the upper panel convey a sense of power, whereas the gentler application of ink in the lower panel evokes serenity and contemplation. The inclusion of calligraphy introduces an element of personal reflection, suggesting that these landscapes are not merely representations of physical places but also expressions of inner states or philosophical musings. The small scale of the fan format itself contributes to a sense of intimacy and invites close scrutiny of the artist’s technique and intention.