Chinese artists of the Middle Ages (李方膺 - 潇湘风竹图) – Li Fangying
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The brushwork is characterized by energetic strokes that convey movement and vitality. Individual stalks are rendered with varying degrees of detail – some appear almost skeletal in their simplicity, while others boast a profusion of leaves, each meticulously delineated. This contrast creates a dynamic interplay between solidity and ephemerality. The bending of the bamboo suggests a forceful wind, imbuing the scene with an atmosphere of resilience and strength amidst adversity.
The lower portion of the painting reveals a glimpse of undergrowth – small clumps of grass and foliage rendered in looser strokes. These elements ground the composition and provide a visual counterpoint to the upward thrust of the bamboo. A subtle wash of color defines the earth, preventing it from appearing as merely an empty space.
In the left margin, calligraphic inscriptions are present. The characters, executed with confident brushstrokes, likely contain poetic verses or dedications related to the subject matter. Their placement alongside the bamboo suggests a deliberate integration of textual and visual elements, enriching the overall meaning.
Subtly, the painting evokes themes of perseverance and integrity. Bamboo is often associated with these virtues in East Asian culture – its ability to bend without breaking symbolizes adaptability and moral uprightness. The solitary nature of the scene, devoid of human figures or other distractions, reinforces a sense of introspection and contemplation. It’s possible that the artist intended to convey a message about finding strength and beauty within simplicity and solitude.