Chinese artists of the Middle Ages (刘节 - 鱼蟹图) – Liu Jie
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below this vegetation, a multitude of aquatic creatures populate the lower half of the painting. Several fish are prominently displayed; one large specimen dominates the foreground, its form delineated with careful attention to scale and texture. Smaller fish swim amongst the reeds and around the larger individual, their forms suggested through quick brushstrokes and subtle variations in ink density. A crab is also visible, nestled within the foliage, adding another layer of complexity to the ecosystem depicted.
The artist’s technique emphasizes spontaneity and a sense of immediacy. The loose application of ink creates a hazy atmosphere, suggesting movement and fluidity within the water. Theres an intentional lack of hard outlines; forms emerge from the interplay of light and shadow created by the varying tones of ink. This approach lends a naturalistic quality to the scene, evoking a feeling of observing a hidden world.
Subtly, the painting conveys themes of abundance and vitality. The profusion of life – both plant and animal – suggests a thriving ecosystem. However, the muted palette and somewhat obscured view also introduce an element of mystery and perhaps even fragility. The crab’s placement within the foliage hints at concealment and survival, suggesting that this vibrant world is not entirely accessible or without its challenges. The compositions vertical format further emphasizes the sense of immersion and depth, drawing the viewer into the aquatic environment.