Unknown * Chinese artists of the Middle Ages

The artwork presents a horizontal panorama depicting scenes from what appears to be daily life and ritualistic practices. The composition is divided into distinct zones, each populated with figures and animals rendered in a simplified, almost schematic style using earth tones primarily – browns, ochres, and blacks – against a light-colored background.
On the left side of the scene, a large equine figure dominates. It stands on its hind legs, seemingly gesturing or performing some kind of ritualistic dance. A smaller animal, possibly a dog or fox, accompanies it. The posture and arrangement suggest an element of ceremony or entertainment.
The central area focuses on a group of human figures gathered around what appears to be a table or platform. These individuals are dressed in elaborate robes and headwear, indicating their status within the depicted society. Their faces are rendered with minimal detail, emphasizing their roles rather than individual personalities. The arrangement suggests a formal gathering, perhaps a feast or an official meeting.
To the right of this central group, another scene unfolds, showing more figures engaged in what could be agricultural activities or further ceremonial practices. A structure resembling a building is visible in the background, adding depth to the composition and suggesting a settled community. The presence of trees with stylized foliage frames the scenes, creating a sense of enclosure and reinforcing the idea of a contained world.
Above each scene, circular motifs are placed within the tree canopy. These could represent celestial bodies – suns or moons – or perhaps symbolic representations of spirits or deities overseeing the events below. The repetition of these circular elements creates visual rhythm and reinforces the connection between the earthly realm depicted in the lower portion of the artwork and a higher spiritual plane.
The overall impression is one of a society deeply rooted in ritual and tradition, where social hierarchy and communal activities are central to daily life. The simplified style and earth-toned palette contribute to a sense of timelessness and suggest that this work was intended as a visual record of important aspects of the deceased’s existence, likely for use in the afterlife. The lack of individualizing details in the figures suggests a focus on collective identity and shared experience rather than personal narratives.