Chinese artists of the Middle Ages (闵贞 - 蕉石图) – Min Zhen
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see the banana leaves, rendered with broad, sweeping brushstrokes that capture their characteristic shape and texture. They overlap and intertwine, creating a dense canopy at the upper portion of the work. The artist’s use of varying ink density suggests depth and volume within this foliage; darker tones define shadowed areas while lighter washes indicate highlights.
Below the banana plants, a substantial rock formation occupies much of the lower half of the composition. This stone is not depicted with precise detail but rather through an accumulation of layered brushstrokes that suggest its rough surface and irregular form. The artist’s treatment of the rocks conveys a sense of permanence and resilience, contrasting subtly with the more ephemeral nature of the plant life above.
The background appears to be a plain, lightly toned paper, which allows the monochromatic tones of the ink to take precedence. A small red seal is visible near the upper right corner, alongside calligraphic characters in the upper left – likely an inscription or signature. These elements are integrated into the composition without disrupting its overall harmony.
Subtly, the painting evokes themes of natures persistence and the interplay between strength and fragility. The banana plants, symbols of abundance and growth, rise from a foundation of solid rock, suggesting that even delicate life can flourish in challenging environments. The restrained palette and minimalist approach contribute to an atmosphere of contemplative stillness, inviting quiet observation and reflection on the natural world. The work’s vertical format reinforces this sense of upward striving and connection with something beyond the immediate scene.