Zhao Yujia * Chinese artists of the Middle Ages

The horizontal format immediately establishes a sense of unfolding narrative or panoramic view. Here we observe a scene populated primarily by horses in various states of activity and repose. The composition is not centered; instead, it leans towards the right side, creating an asymmetrical balance that draws the eye across the entire length of the work.
Several distinct groupings of horses are discernible. On the left, figures appear to be leading or tending to animals, their presence suggesting a pastoral setting or perhaps preparations for travel. These individuals are rendered with less detail than the horses themselves, emphasizing the latter as the central subject matter. A cluster of horses in the center occupies a prominent position, some grazing peacefully while others stand alert, seemingly observing their surroundings. The artist has captured a range of postures – standing, walking, lying down – conveying a sense of naturalism and vitality.
The color palette is restrained, dominated by earthy tones: browns, ochres, and muted greens. This contributes to the overall feeling of tranquility and reinforces the connection to nature. Subtle variations in shading give form and volume to the horses, while the background appears deliberately indistinct, further focusing attention on the animals.
To the right of the central grouping, a horse lies down, its body rendered with particular care for anatomical detail. This moment of rest contrasts with the activity depicted elsewhere, suggesting a cyclical rhythm of life. The inclusion of foliage and trees provides depth to the scene, although these elements are also treated in a simplified manner, avoiding excessive realism.
The vertical inscription on the right side is an integral part of the work. Its presence suggests that this isnt merely a depiction of horses but carries a literary or poetic significance. It likely offers commentary on the scene, perhaps providing context for the actions depicted or conveying a philosophical message related to nature, leisure, or the passage of time. The inscription’s placement also serves as a visual counterweight to the composition’s asymmetry.
The overall impression is one of quiet observation and appreciation for the natural world. The artist seems less interested in portraying specific events than in capturing the essence of equine life – their strength, grace, and inherent beauty within a carefully constructed, harmonious setting.