Francia (Circle) – Madonna and Child with San Giovannino
1510-1517 circa
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her left, one boy holds a small wooden cross, while the other cradles a scroll bearing an inscription. Both infants are depicted with rounded features and delicate skin tones, typical of representations of childhood innocence. The boy holding the cross appears to be offering it towards the woman, creating a visual link between him and his mother.
The background is rendered in muted earth tones, depicting a landscape with sparse vegetation and distant architectural structures that suggest a town or city. Two slender trees punctuate the horizon line, adding depth to the scene. The perspective is somewhat flattened, contributing to the painting’s overall sense of formality.
Subtleties within the work hint at deeper meanings. The womans posture conveys both maternal tenderness and a quiet dignity. Her downcast eyes suggest introspection or perhaps a burden of responsibility. The presence of the cross and scroll introduces elements of religious narrative, alluding to themes of sacrifice, prophecy, and divine revelation. The landscape, while seemingly tranquil, possesses an understated quality that prevents it from distracting from the central figures.
The artist’s use of light is noteworthy; it illuminates the faces of the woman and children, drawing attention to their expressions and emphasizing their importance within the composition. The overall effect is one of solemn reverence, inviting contemplation on themes of faith, motherhood, and divine grace.