Elias Martin – View of Stockholm Palace from the Skeppsholm Bridge
early 1780s. 52×76.5
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Along the waterfront, a bustling activity unfolds. Several sailing vessels are depicted, their masts reaching upwards, creating a dynamic interplay with the architectural verticality of the palace. Figures populate both the boats and the bridge itself; they appear engaged in leisurely pursuits – rowing, strolling, conversing – suggesting a scene of everyday life within an urban setting. The clothing styles indicate a period likely spanning the late 18th or early 19th century.
The color palette is restrained, with a predominance of grey and brown tones that lend a sense of atmospheric perspective to the work. Light appears diffused, softening the edges of forms and contributing to a generally tranquil mood. The sky is overcast, but not oppressively so; it provides a backdrop that allows the palace’s pale facade to stand out.
Beyond the immediate depiction of a cityscape, the painting seems to convey notions of civic pride and order. The grandeur of the palace suggests power and stability, while the activity along the waterfront implies prosperity and engagement within the community. The bridge itself could be interpreted as a symbol of connection – linking different parts of the city and its inhabitants. There is an underlying sense of observation; the artist seems to have sought not merely to record a view but also to capture a moment in time, portraying a society at ease with its surroundings and confident in its position. The inclusion of figures, rendered with relative detail, reinforces this impression of a lived-in environment, rather than simply a static monument.