Portrait Of Francis Steward (1743-1798), Mayor Of Weymouth And Melcombe Regis Thomas Beach (1738-1806)

The portrait presents a gentleman in three-quarter view, positioned against a dark, indistinct background that allows his figure to dominate the composition. He is depicted with a slight turn towards the viewer, creating a sense of engagement and accessibility. The sitters gaze is direct, conveying an impression of confidence and perhaps even authority.
The artist has rendered him in a rich, reddish-brown coat, its texture suggested through subtle variations in tone and brushwork. A crisp white shirt with a loosely tied cravat peeks from beneath the coat’s lapels, adding a touch of formality to the attire. The powdered wig, a hallmark of the period, is meticulously styled, contributing to an overall impression of refinement and social standing. A single pearl earring adorns his left ear, signifying wealth and status.
The lighting in the painting is carefully controlled; it illuminates the face and upper torso, highlighting features while leaving much of the background shrouded in shadow. This technique draws attention to the sitter’s countenance and emphasizes his importance within the composition. The artists handling of light also creates a sense of volume and depth, particularly noticeable in the folds of the coat.
The inscription Birch. 1753 at the bottom left corner indicates the year of creation and likely identifies the artist. This detail anchors the work firmly within its historical context. The overall effect is one of restrained elegance and understated power, suggesting a man of substance and influence – likely a personage of local importance given his attire and demeanor. The painting conveys not only an individual likeness but also a statement about social position and civic responsibility during the mid-18th century.