Carl Peter Mazer – Adolf Fredrik Lindblad (1801-1878)
1835.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a meticulously rendered depiction of a gentleman’s attire: a black coat, a crisp white shirt collar, and a dark cravat secured with what appears to be a decorative pin. The fabric textures are convincingly portrayed, suggesting an attention to detail characteristic of formal portraiture. His hair is styled in a manner fashionable for the period – a voluminous arrangement that frames his face.
The man’s expression is complex; it conveys both seriousness and a certain reserve. Theres a hint of melancholy or introspection visible around the eyes, which contrasts with the formality of his pose and clothing. The hands are clasped loosely in front of him, contributing to an impression of composure rather than relaxation.
The dark background serves to isolate the subject, drawing attention solely to his presence and character. It also creates a sense of depth and mystery, hinting at a life beyond what is immediately visible. The limited color palette – primarily blacks, whites, and muted flesh tones – reinforces this atmosphere of solemnity and dignity.
Subtly, the painting suggests an individual of status and refinement. The quality of the clothing, the careful grooming, and the formal pose all point to a person accustomed to societal expectations and perhaps holding a position of some importance. However, the underlying melancholy in his expression introduces a layer of psychological complexity, suggesting that outward appearances may not fully reveal inner feelings.