D190L The Coronation of the Antipope of Benedict XIII in Avignon in 1394 Froissart’s Chronicles

The scene unfolds within a confined architectural space, likely a hall or chamber, indicated by the receding wall and arched ceiling visible in the background. Here we see a formal ceremony taking place; a central figure, seated on a raised throne draped with rich blue fabric, is being crowned. The composition is tightly focused on this event, minimizing distractions from the surrounding environment.
Several figures surround the enthroned individual, all adorned in elaborate ecclesiastical vestments. They hold croziers – staffs topped with crosses – and appear to be participating in the coronation ritual. Their expressions are solemn and attentive, suggesting a sense of reverence and formality. The artist has rendered their faces with individualized features, hinting at specific identities or roles within this hierarchical structure.
The color palette is dominated by deep reds, blues, and golds, characteristic of late medieval illumination. These colors contribute to the overall impression of opulence and authority. The gold leaf accents on the vestments and croziers further enhance the sense of grandeur and spiritual significance.
A small, green-covered cushion sits at the base of the throne, a detail that might symbolize humility or perhaps a deliberate contrast with the elevated status of the enthroned figure. The limited depth of field flattens the perspective, which is typical for manuscript illumination, emphasizing the symbolic nature of the event over realistic representation.
Subtleties within the scene suggest potential political undertones. The presence of multiple figures holding symbols of authority – the croziers – implies a complex power dynamic and perhaps challenges to legitimacy. The setting itself, an enclosed space rather than a grand cathedral, could indicate a deliberate attempt to control the narrative surrounding this coronation. It is possible that the artist was commissioned to depict an event viewed as unorthodox or contested by some factions within the Church. The overall effect is one of carefully orchestrated display intended to legitimize and solidify the authority of the enthroned figure in the eyes of those present, and potentially for a wider audience viewing the illuminated manuscript.