D146L Attempt on Olivier de Clisson by Pierre de Craon in 1392 Froissart’s Chronicles

The scene unfolds within a confined space, likely a courtyard or enclosed area adjacent to a substantial stone structure. A central figure, clad in a vibrant red tunic and partially armored, is clearly the focal point of the depicted event. He appears to be reacting with raised arms, his expression suggesting surprise or perhaps defiance. Around him are several other figures, some armed and positioned as if engaged in an altercation.
The composition emphasizes a sense of suddenness and violence. One man lies prone on the ground near the central figure, seemingly incapacitated. Another stands over him, wielding what appears to be a weapon – possibly a sword or dagger – held aloft. The remaining figures are arranged in a dynamic cluster, their postures conveying urgency and potential threat. Their armor varies; some wear full plate, while others have simpler protection, suggesting differing social standings or roles within the unfolding action.
The color palette is dominated by deep blues, reds, and browns, contributing to a somber and dramatic atmosphere. The red of the central figure’s tunic stands out prominently against the darker tones of the surrounding environment and armor, drawing immediate attention to him. A torch held aloft casts flickering light, further enhancing the sense of chaos and highlighting key figures within the scene.
Below the visual narrative, a Latin inscription is present, providing textual context that likely details the events being portrayed. The decorative border featuring floral motifs adds an element of refinement, typical of illuminated manuscripts, contrasting with the brutality suggested by the depicted action. This juxtaposition highlights the complex interplay between violence and artistry often found in medieval manuscript illumination.
The artist’s choice to depict a moment of apparent ambush or attack suggests themes of betrayal, political intrigue, and perhaps revenge. The compositions dynamism and the expressive gestures of the figures convey a sense of immediate danger and emotional intensity, characteristic of narratives centered on conflict and power struggles within aristocratic circles.