D058L Departure of Louis II of Bourbon from Genoa to Tunisia on the siege of Carthage in 1390 Froissart’s Chronicles

The illumination presents a scene of departure, likely ceremonial, unfolding before a formidable castle structure dominating the background. A group of figures, presumably nobility and attendants, are gathered around several horses, preparing for travel. The central figure, distinguished by his attire and position, appears to be leading the procession; he is mounted on a white horse, suggesting status and authority. Several other individuals are depicted on horseback alongside him, while others stand or walk nearby, attending to the preparations.
The composition directs attention towards a large ship anchored in a harbor adjacent to the castle. The vessel’s size and elaborate rigging suggest it is intended for a significant voyage, possibly military. A banner flies from its mast, hinting at the purpose of this journey.
The artist has employed a limited palette, primarily blues, greens, reds, and browns, which contributes to a sense of formality and grandeur. The castle’s architecture, with its pointed towers and crenellations, is rendered in detail, reflecting a deliberate attempt to convey power and permanence. The surrounding landscape appears somewhat stylized, lacking the nuances of naturalistic representation.
Beyond the literal depiction of a departure, the scene carries several potential subtexts. The journey itself likely symbolizes ambition, conquest, or religious mission – the ship’s destination being implied by the context of the accompanying text. The castle represents established power and authority from which this expedition originates. The meticulous detail given to the clothing and equipment of the figures suggests an emphasis on lineage, status, and military preparedness.
The overall impression is one of a carefully orchestrated event, imbued with symbolic weight and intended to convey a narrative of leadership, ambition, and potential conflict. The inclusion of text alongside the image reinforces its function as part of a larger historical or literary account, further enriching its meaning for the original audience.