#40495 Domenec Pascual Badia

The composition presents a fragmented view of architecture and landscape, framed by enclosing planes that dominate the visual field. The foreground is largely defined by these substantial, ochre-toned structures, which appear as walls or building facades. Their surfaces are rendered with a textured application of paint, suggesting a deliberate roughness and solidity. A sloping roofline, painted in shades of red and orange, intersects the upper right corner, further emphasizing the enclosing nature of this constructed environment.
Beyond these barriers, a glimpse of a landscape unfolds. Dense foliage – primarily dark green trees – occupies much of the middle ground, obscuring any clear view of depth or distance. A small, white building is nestled within the greenery, its presence understated and almost swallowed by the surrounding vegetation. The sky above is painted in muted yellows and creams, suggesting diffused light rather than direct sunlight.
The artist’s use of perspective is unconventional; theres a flattening effect that diminishes spatial recession. This contributes to a sense of confinement and limits the viewer’s ability to fully explore the depicted scene. The color palette is restrained, relying on earthy tones – ochres, greens, reds – with subtle variations in hue and value.
The arrangement suggests a deliberate construction of perception. Its not merely a depiction of a place but rather an exploration of how we experience and interpret space through barriers and partial views. The enclosing walls could be interpreted as symbolic representations of boundaries – physical, psychological, or societal. The obscured landscape hints at something beyond reach, fostering a sense of longing or perhaps even restriction. The small building within the foliage might represent refuge or isolation, its quiet presence contrasting with the imposing structures that frame it. Overall, the painting evokes a mood of introspection and contemplation, prompting reflection on themes of enclosure, perspective, and the nature of observation.