#40501 Domenec Pascual Badia

The composition presents a stylized landscape dominated by rounded forms and a limited palette. A horizontal band of yellow-green defines the foreground, representing what appears to be a field or meadow. Above this, a pinkish-red sky occupies the upper portion of the canvas, its surface textured with visible brushstrokes that suggest a diffuse light source.
A series of dark green, spherical trees punctuate the middle ground. These are not rendered naturalistically; instead, they appear as simplified volumes, their rounded canopies meticulously dotted with small marks creating an impression of dense foliage. The trunks are slender and straight, extending downwards to meet the foreground plane. Their uniformity suggests a deliberate arrangement rather than organic growth.
Behind the trees, partially obscured by them, is a structure – likely a building – characterized by a segmented roofline in shades of yellow and red. Its presence introduces an element of human intervention into the natural scene, though its scale and placement suggest it’s integrated within the landscape rather than imposing upon it.
The paintings subtexts revolve around themes of order and control imposed on nature. The meticulously shaped trees and the simplified forms convey a sense of deliberate design, hinting at an artificial or cultivated environment. The limited color range contributes to this feeling of restraint, creating a mood that is both tranquil and slightly unsettling. There’s a quietness in the scene; no animals are present, and theres no indication of human activity beyond the presence of the building. This absence amplifies the sense of isolation and controlled stillness. The overall effect suggests an exploration of the relationship between humanity and the natural world, where nature is not depicted as wild or untamed but rather as a carefully managed entity.