Francis Towne – Windermere at Sunset
1786. 16×24
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The light source appears to be situated behind the mountain range, casting a warm, golden glow across the waters surface and illuminating the lower slopes of the mountains themselves. This creates a subtle gradation of color from the warmer tones near the viewer to cooler blues and greys in the distance, enhancing the perception of depth. The sky is rendered as a pale wash of color, suggesting either dusk or dawn.
The artist’s technique emphasizes atmospheric perspective; the distant mountains are softened and desaturated, appearing less distinct than the nearer shoreline and trees. This contributes to the overall feeling of vastness and distance. A small, dark form – possibly a rock or islet – breaks the surface of the water in the middle ground, adding a point of visual interest.
Subtly, there is an absence of human presence within this scene. The lack of any buildings, figures, or signs of cultivation suggests a deliberate focus on the untouched beauty and solitude of nature. This could imply a contemplation of the sublime – the awe-inspiring power and grandeur of the natural world – or perhaps a yearning for escape from societal constraints. The muted palette and tranquil composition evoke a sense of quiet reflection and peacefulness, inviting the viewer to share in this moment of serene observation.