#32398 Georges Malkine

The drawing presents a portrait in profile, executed primarily with graphite on paper. The subject is a woman, depicted from the neck upwards, facing left. Her features are rendered with a delicate precision that emphasizes a sense of quiet introspection. The eyes are closed, suggesting a moment of repose or perhaps inward contemplation.
The artist has paid particular attention to the rendering of hair; it cascades in loose, flowing waves around her face and shoulders, creating a soft frame for her countenance. Individual strands are suggested through subtle variations in tone and texture, lending volume and movement to the hairstyle. The contours of the face are gently modeled, with shading used to define the cheekbones, nose, and chin. A slight curve to the lips hints at a faint smile or perhaps a suppressed emotion.
The drawing’s composition is simple yet effective. The subjects placement within the frame allows for an intimate connection with the viewer. The background is left largely unrendered, which directs focus entirely on the woman’s face and her expression. This minimalist approach contributes to the overall feeling of serenity and quietude.
The signature, located in the lower right corner, appears as A. Sonia Malika followed by the date “1953.” The presence of a signature indicates that this is likely an original work, rather than a reproduction.
Subtly, there’s a sense of melancholy conveyed through the closed eyes and the gentle downturn of the mouth. Its possible to interpret the portrait as capturing a fleeting moment of vulnerability or private reflection. The absence of external context further enhances this feeling of introspection, inviting viewers to project their own interpretations onto the subject’s expression.