Marcellus Laroon the Elder – Self-Portrait (ca 1700)
1700). c.1700.
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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The man’s expression is one of quiet self-assurance; his gaze directed towards the viewer conveys an impression of intelligence and perhaps a touch of melancholy. The lighting emphasizes the planes of his face, highlighting subtle details such as the slight furrowing of his brow and the delicate curve of his lips. A faint blush on his cheeks adds to the sense of vitality.
In his right hand, he holds a painter’s palette laden with brushes, an explicit declaration of his profession. The palette is positioned in the foreground, drawing attention to this essential tool of his trade. The arrangement of the brushes suggests both readiness and a certain degree of control over his craft.
The background is deliberately kept dark and vague, serving to isolate the figure and focus the viewer’s attention on him. A glimpse of what appears to be an easel or canvas can be discerned in the upper right corner, further reinforcing the context of artistic creation. The limited color palette – dominated by browns, blacks, and muted reds – contributes to a somber yet dignified atmosphere.
Subtly, the portrait conveys not only professional identity but also a sense of introspection and perhaps even a degree of vanity. The careful attention to detail in his appearance, from the elaborate wig to the rich fabric of his clothing, suggests an awareness of self-presentation and a desire for recognition. The direct gaze establishes a connection with the viewer, inviting contemplation on the subject’s character and accomplishments.