Eric Ravilious – Train Landscape
Location: Art Gallery & Museums, Aberdeen.
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The landscapes visible through the windows are presented as discrete panels, each offering a slightly different vista. The leftmost window reveals a rolling field with a prominent white horse grazing near a low fence. This scene evokes pastoral tranquility and a connection to rural life. The central view depicts a more subdued landscape of gently sloping hills under an overcast sky; it lacks the immediate vibrancy of the first panel. Finally, the rightmost window shows a broader expanse of fields and distant hills, suggesting depth and distance.
The arrangement of these landscapes within the frame is significant. They are not seamlessly integrated but rather presented as separate entities, viewed through the barrier of the train carriage. This creates a sense of mediation – the viewer experiences the landscape indirectly, filtered through the confines of travel. The repetition of the window frames reinforces this feeling of separation and observation.
Subtly, the painting explores themes of modernity and alienation. The train itself symbolizes progress and industrialization, contrasting with the traditional rural scenes it traverses. The passenger’s perspective, confined within the carriage, suggests a sense of detachment from the world outside. This could be interpreted as a commentary on the increasing distance between humanity and nature in an era of rapid technological advancement. The deliberate flatness of the composition further contributes to this feeling of emotional remove, preventing any sentimental connection with the depicted landscapes.
The color palette is restrained, dominated by earthy tones – greens, browns, yellows – which contribute to the overall sense of quietude and observation.