Eric Ravilious – Coastal defences
1940 w/c on paper
Location: Museum of New Zealand Te Papa Tongarewa, Wellington.
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The color palette is muted, primarily consisting of greens, browns, and greys, which contribute to a somber atmosphere. The sky, rendered in layered tones of grey and pale blue, appears heavy and overcast, reinforcing this sense of foreboding. A single aircraft is visible high above, a small but significant detail that introduces the possibility of aerial threat or surveillance.
The foreground features a barbed wire fence, delineating a boundary between the viewers space and the fortified area. This barrier serves as both a physical obstacle and a symbolic representation of separation – a division between safety and potential danger. The landscape itself is rendered with broad strokes, emphasizing its ruggedness and inhospitability.
The presence of figures atop the fortification, though small and indistinct, suggests human activity within this defensive structure. A flag flies prominently from a mast, signifying national identity or allegiance, yet it appears almost swallowed by the scale of the surrounding landscape and the looming threat implied by the aircraft above.
Subtly, the work seems to explore themes of protection versus confinement, security versus isolation. The imposing nature of the fortification suggests an attempt at control over the environment, but also implies a vulnerability that necessitates such drastic measures. The overall effect is one of quiet tension and latent anxiety, hinting at a world on edge, where defense has become a defining characteristic of existence.