Eric Ravilious – Two Women Sitting in a Garden
1933 w/c on paper
Location: The Fry Art Gallery, Saffron Walden.
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Here we see two women seated at a long, rectangular table constructed from pale wood. One woman occupies a wicker chair to the left, absorbed in reading a book; her posture suggests relaxation and quiet contemplation. The other woman sits on one of the benches along the tables side, engaged in what appears to be needlework or embroidery. A small bowl rests on the tabletop beside her, hinting at a shared moment of leisure.
The background reveals a more structured landscape – a low wall punctuated by vertical elements that could represent architectural details or stylized foliage. This backdrop contrasts with the organic forms of the garden and the womens relaxed postures, creating a sense of distance and perhaps suggesting a boundary between the private space of the garden and an external world.
The color palette is predominantly cool, relying heavily on greens and blues to evoke a feeling of tranquility and serenity. The limited use of warmer tones – primarily in the women’s clothing and the tables wood – provides subtle visual interest without disrupting the overall mood.
Subtly, the arrangement suggests themes of domesticity and female companionship. The activities depicted – reading and needlework – were traditionally associated with womens roles, reinforcing a sense of quiet, introspective leisure. The long table could symbolize shared experiences or communal connection. The umbrella lying on the ground near the benches introduces an element of unexpectedness; it might signify a sudden change in weather or simply be a discarded item, adding to the scene’s casual and unposed quality. Overall, the painting conveys a sense of peaceful solitude and understated elegance within a carefully cultivated environment.