Peter Eskilson – Skittles at Faggen’s. Scene from Fredman’s Epistle 55 by Bellman
1868. 50×65
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a clear delineation between social classes. The individuals playing skittles are dressed in simple attire, suggesting a lower socioeconomic status. Their clothing appears worn and practical, indicative of manual labor or a rural lifestyle. In contrast, those observing from the sidelines are more elegantly attired, with finer fabrics and elaborate hairstyles. A woman in particular stands out with her fashionable dress and confident posture, seemingly enjoying the spectacle.
The setting itself contributes to the narrative. The presence of a modest building, likely a tavern or shop, suggests a communal space for recreation and socializing. The surrounding foliage creates a sense of depth and establishes an idyllic, rural backdrop. A small dog adds a touch of domesticity and charm to the scene.
Subtleties within the painting hint at deeper meanings. The man throwing the skittle appears intensely focused, his body language conveying determination and perhaps a degree of desperation for success. This could be interpreted as a metaphor for ambition or striving in a world where social mobility is limited. Conversely, the relaxed postures and jovial expressions of those observing suggest a comfortable acceptance of their position within the social hierarchy.
The inclusion of musical instruments – a trumpet and what appears to be a drum – implies an atmosphere of celebration and merriment. However, this festive air might also mask underlying tensions or inequalities inherent in the depicted society. The painting doesn’t simply portray a casual game; it offers a glimpse into a specific social context, revealing nuances of class distinction, aspiration, and communal life.