Procession in Ascona Marianne von Werefkin (1860-1938)

The composition presents a scene dominated by imposing mountainous terrain that rises dramatically behind a cluster of buildings. The mountains themselves are rendered in broad strokes of red and brown, their forms simplified into monumental shapes that convey a sense of scale and power. A lighter, almost ethereal quality is suggested on the peaks, hinting at snow or mist.
Below this backdrop lies a village, its structures depicted with an equally stylized approach. Buildings are arranged somewhat haphazardly, their roofs and facades rendered in varying shades of blue, green, white, and grey. The architecture appears to be European, possibly Swiss or Italian, given the presence of a tall, slender tower topped with a distinctive dome and weather vane – a characteristic feature often found in churches within that region.
A procession moves through the village square. Figures are arranged in a linear fashion, their clothing suggesting a formal occasion; some wear white robes while others are clad in darker attire. Their faces are indistinct, contributing to an overall sense of anonymity and emphasizing the collective nature of the event rather than individual identities. The procession’s direction leads towards the viewer, drawing attention to the central space within the village.
The color palette is striking, employing bold contrasts between warm reds and browns of the mountains and cool blues and greens of the buildings. This juxtaposition creates a visual tension that contributes to the paintings expressive quality. The application of paint appears thick and textured, adding depth and physicality to the scene.
Subtly, there’s an underlying sense of solemnity or ritualistic observance conveyed by the procession. The monumental scale of the mountains dwarfs the village and its inhabitants, suggesting a relationship between humanity and nature that is both reverent and humbling. The simplification of forms and the use of expressive color suggest a focus on emotional impact rather than precise representation, hinting at an exploration of spiritual themes or collective identity within a specific cultural context.