William James Glackens – img818
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a densely built town or city sprawling across a hillside. Buildings are rendered in quick, broken brushstrokes of blues, purples, and yellows, suggesting a hazy atmosphere and a focus on capturing the overall impression rather than precise architectural detail. Several towers punctuate the skyline, hinting at historical significance or perhaps religious structures. A small figure with what appears to be a kite is visible near the edge of the city, adding a touch of human presence within the expansive scene.
The foreground vegetation – a tangle of bushes and trees – is executed in vibrant greens and yellows, contrasting with the cooler tones of the cityscape. The brushwork here is particularly energetic, conveying a sense of vitality and natural growth that seems to both embrace and obscure the urban environment.
A pervasive atmospheric haze softens the edges of forms and unifies the composition. This contributes to an overall feeling of tranquility and distance, as if the viewer is observing from afar. The light appears diffused, suggesting either early morning or late afternoon hours.
Subtly, the painting explores a relationship between nature and urbanity. The archway, while man-made, is integrated into the natural landscape, and the foliage partially obscures the citys presence. This suggests a complex interplay – a coexistence rather than a confrontation – between human construction and the organic world. There’s an underlying sense of melancholy or nostalgia evoked by the muted palette and softened forms; it speaks to a fleeting moment in time, captured with an emphasis on feeling over precise representation.