Francisco Jose De Goya y Lucientes – Allegory of the City of Madrid
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Дата на картине:Dos de mayo (2 мая 1808 г.) – восстание в Мадриде против наполеоновских войск, начало Первой испанской революции.
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Above this central figure, a group of winged figures occupies the upper portion of the canvas. These beings appear to be cherubic in nature, engaged in celebratory actions: one blows a trumpet, while others scatter what seem to be laurel leaves or similar decorative elements. The arrangement suggests divine blessing or proclamation. Their positioning creates a sense of movement and dynamism that contrasts with the grounded stability of the woman below.
A large oval shield is prominently displayed behind the central figure, bearing an inscription within its center. This element serves as a focal point, drawing attention to a specific message or event – the words DOS DE MAYO are clearly visible. The shield’s ornate frame, embellished with foliage and scrolls, reinforces the sense of importance and ceremonial significance attached to this date.
To the right of the central figure, another individual appears to be offering something towards her; their gesture is ambiguous but seems intended as a presentation or tribute. This interaction adds a layer of narrative complexity, hinting at an exchange or transfer of responsibility.
The color palette is rich and warm, with reds, golds, and creams predominating. The use of light and shadow enhances the dramatic effect, highlighting key figures and elements while obscuring others in a deliberate manner. The overall impression is one of grandeur and solemnity, suggesting a commemoration of an important historical event or a celebration of civic virtue. The arrangement of figures and symbolic objects implies a narrative centered on leadership, loyalty, and perhaps sacrifice – a visual representation of the values associated with a citys identity and its history.