Cornelius Arendtz (Attributed) – Gabriel Gustafsson Oxenstierna af Eka och Lindö (1587-1640)
Location: National Museum (Nationalmuseum), Stockholm.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
He wears a severe black doublet with elaborate lace cuffs and a similarly detailed ruff around his neck. These details suggest wealth and status, indicative of an individual holding a position of importance within society. The dark color palette reinforces a sense of solemnity and authority. His hands are clasped in front of him, one resting on what appears to be the armrest of a chair or bench. This gesture conveys composure and control.
The floor is rendered with a checkered pattern, adding visual interest and grounding the figure within a defined space. A heraldic crest is visible above his head, further signifying lineage and noble standing. The man’s expression is serious; his gaze directed slightly off-center, suggesting introspection or perhaps a measured assessment of his surroundings.
The overall impression conveyed by this painting is one of dignified restraint and established power. The artist has employed techniques to underscore the subjects social position through meticulous attention to detail in clothing and accessories, as well as through the use of symbolic elements like the crest and the somber color scheme. There’s a deliberate avoidance of overt displays of emotion or exuberance, contributing to an atmosphere of gravitas and formality characteristic of official portraits from this period.