Bernardino Luini – The dream of St Joseph
c.1530. Frescoes from the St Joseph Chapel in Santa Maria della Pace in Milan
Location: Pinacoteca di Brera, Milano.
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The seated man is characterized by his aged appearance; he possesses a long beard and wears a yellow robe draped over his shoulders. His posture suggests weariness or contemplation, with his head bowed slightly and his hand raised in a gesture that could be interpreted as questioning or seeking reassurance. He occupies a prominent position within the composition, anchoring the scene on the left side of the frame.
Standing before him is a figure identifiable by their youthful appearance and the presence of wings – an angel. The angel’s expression conveys serenity and perhaps gentle guidance; one hand points upwards, while the other holds a lily, a traditional symbol of purity and innocence. The angels stance suggests a divine communication or revelation being imparted to the seated man.
The woman is situated near the window, engaged in what seems to be spinning wool. Her face exhibits an expression of quiet attentiveness, as if observing the interaction between the other two figures. She is clothed in simple garments and her position near the window implies a connection to the outside world, perhaps symbolizing hope or divine grace entering the domestic sphere.
The composition’s arrangement directs attention towards the central narrative moment – the angels communication with the seated man. The use of light is subtle but significant; it illuminates the faces of the figures, emphasizing their expressions and drawing the viewer into the unfolding drama. The background landscape, visible through the window, provides a sense of depth and reinforces the idea of a connection between the earthly realm and something beyond.
Subtly, the painting explores themes of faith, doubt, and divine intervention within an everyday setting. The older man’s questioning gesture hints at internal conflict or uncertainty, while the angels presence signifies reassurance and guidance from a higher power. The woman’s quiet observation suggests a passive acceptance of events unfolding around her. Overall, the work conveys a sense of intimacy and solemnity, inviting contemplation on the nature of belief and the role of divine providence in human affairs.