Louis Michel Eilshemius – Bridge in Moonlight
~1890. 36×52 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a wooden structure, the bridge itself, rendered with a degree of realism that contrasts with the more atmospheric treatment of the surrounding foliage. The railings are visible in the foreground, their texture suggesting dampness and age. Below, the water reflects the moons glow and the forms of the trees lining the banks, creating an almost mirror-like effect which blurs the distinction between reality and reflection.
The vegetation is dense and layered, composed primarily of dark greens and browns, with hints of lighter tones where the moonlight penetrates. The artist employed a loose brushstroke throughout, particularly evident in the depiction of the trees, contributing to the overall impression of mystery and subdued emotion. A sense of depth is established through the gradual fading of details into the distance, culminating in an indistinct horizon line shrouded in mist.
The painting evokes a mood of solitude and contemplation. The bridge, typically a symbol of connection and passage, appears isolated within this nocturnal setting. It might be interpreted as representing transition or liminality – a point between two places, both physically and metaphorically. The moon’s presence lends an air of romanticism and perhaps even melancholy to the scene, suggesting themes of introspection and the passage of time. The subdued palette and soft focus contribute to this feeling of quietude, inviting the viewer into a moment of peaceful observation.