Edouard Cibot – View of Rome: The Orangerie of the Villa Borghese seen from the Villa Medicis
1838, 28х37 Louvre
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Edouard CIBOT Paris, 1799 – Paris, 1877 – Rome, fabriques de la villa Borghèse vues de la villa Médicis,
autrefois Paysage de la campagne romaine H. : 0,28 m. ; L. : 0,37 m.
Étude, en partie exécutée sur le motif lors du séjour de l’artiste à Rome et représentant l’Orangerie de la villa Borghèse. Donation de Mme Rohatyn, 1999. Département des Peintures – R. F. 1999-2
You cannot comment Why?
The foreground features a grassy expanse sloping downwards towards the viewer. A small group of figures, seemingly engaged in leisurely activity, are scattered across this area; their presence introduces a sense of human scale within the vastness of the scene. The artist has employed loose brushstrokes to depict these individuals, minimizing detail and emphasizing their role as part of the overall landscape rather than central subjects.
Beyond the immediate foreground, the land rises gently into a series of undulating hills, culminating in distant mountain peaks that punctuate the horizon line. A hazy atmosphere softens the contours of the terrain, creating a sense of depth and distance. The sky occupies a significant portion of the canvas, displaying a dynamic interplay of light and shadow through scattered clouds.
The painting’s color scheme is dominated by earthy tones – greens, browns, and ochres – which contribute to an overall feeling of tranquility and timelessness. Theres a subtle use of aerial perspective; distant elements are rendered with less saturation and detail, reinforcing the impression of vast space. The light appears diffused, suggesting either early morning or late afternoon hours.
Subtly, the work conveys themes of cultivated nature versus wild landscape. The formal gardens and grand architecture represent human intervention and control over the environment, while the distant hills and mountains symbolize the enduring power of natural forces. The presence of figures enjoying the scenery suggests a contemplative relationship between humanity and its surroundings – a sense of appreciation for beauty and leisure within a historically significant setting.