Jane Ray – War in Heaven
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On the opposite side, a large crescent moon is positioned against a backdrop of deep blue, speckled with numerous stars. A similarly adorned figure, dressed in dark purple and black, guides two horses across this lunar landscape. The horses are rendered in stark contrast to those pulling the sun chariot – they are entirely black, their forms appearing almost as silhouettes against the starry expanse. Their posture suggests movement and a forceful advance towards the solar presence.
The connection between these opposing sides is established by teams of horses that appear to traverse the space between them. These equine figures, rendered in golden hues, seem to be engaged in a dynamic struggle, their bodies contorted in positions suggesting both propulsion and resistance. The artist has employed a flattened perspective, eliminating depth and emphasizing the symbolic nature of the scene.
The color palette reinforces this dichotomy: warm tones (reds, yellows) dominate the solar side, while cool tones (blues, blacks) characterize the lunar realm. This visual separation suggests an inherent conflict between opposing principles – perhaps light versus darkness, order versus chaos, or creation versus destruction. The elaborate costumes and regal bearing of both central figures imply a narrative involving powerful entities engaged in a momentous confrontation.
The inclusion of stylized patterns within the clothing of the figures and on the surface of the moon hints at an underlying mythology or symbolic system. These decorative elements contribute to the overall sense of grandeur and timelessness, elevating the scene beyond a simple depiction of conflict into a representation of fundamental cosmic forces. The composition evokes a feeling of dramatic tension, leaving the viewer to contemplate the nature of this celestial battle and its potential implications.