Part 2 – Giorgio di Tomaso Schiavone (1436-1504) - Enthroned Madonna with Child and Two Angels
c.1456-60. 84x58
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The two angels positioned to either side are engaged in distinct actions: one offers a cluster of grapes, while the other presents what appears to be a scroll or tablet. Their poses are graceful and their expressions gentle, contributing to an overall atmosphere of reverence. The landscape visible behind them is sparsely detailed, featuring bare trees and distant hills rendered in muted tones. A dark archway frames the scene, creating a sense of enclosure and emphasizing the figures within.
The throne itself appears constructed from marble or stone, with decorative carvings adding visual interest. At its base lies a rolled parchment, partially obscured by the lower edge of the composition. The color palette is dominated by deep reds, blacks, golds, and earthy browns, contributing to a sense of richness and formality.
Subtleties within the work suggest layers of meaning beyond the immediately apparent religious narrative. The woman’s downcast gaze might be interpreted as humility or contemplation of divine will. The offering of grapes could symbolize abundance and spiritual nourishment, while the scroll potentially represents revelation or prophecy. The barren landscape behind the figures may allude to a sense of spiritual desolation or the challenges inherent in faith. The deliberate use of light and shadow enhances the emotional impact of the scene, drawing attention to key elements and creating a sense of depth. Overall, the painting conveys a message of piety, grace, and divine authority through carefully considered symbolism and composition.