Gerard ter Borch II (1617-1681) – Self-portrait of the artist Part 2

The portrait presents a man in three-quarter view, set against a dark, undefined background. The oval format emphasizes his presence and creates a sense of intimacy. He is depicted from the chest upwards, with a focus on his face and elaborate hairstyle.
Here we see a man with a somewhat melancholic expression; his gaze is directed slightly downward, suggesting introspection or perhaps weariness. His features are rendered with considerable detail, capturing subtle nuances in skin tone and texture. The artist’s attention to light and shadow sculpts the planes of his face, highlighting the prominence of his nose and chin while softening the areas around his eyes.
The mans attire is simple yet refined: a dark garment with a crisp white linen collar peeking from beneath. This understated elegance hints at a certain social standing without ostentation. The most striking element is undoubtedly his hair – voluminous, cascading in loose curls that frame his face and shoulders. It’s rendered with a remarkable fluidity of brushstrokes, conveying both texture and movement.
The artists signature appears discreetly near the lower right corner, confirming the work as a self-portrait. The dark background serves to isolate the figure, drawing attention solely to his countenance and attire. This compositional choice contributes to an atmosphere of quiet contemplation.
Subtleties in the portrayal suggest more than just a likeness; theres a sense of psychological depth conveyed through the man’s expression and posture. It is possible to interpret this as a reflection on the burdens or complexities inherent in artistic creation, or perhaps a broader meditation on mortality and the passage of time. The overall effect is one of dignified reserve, hinting at an individual both thoughtful and self-aware.