Part 2 – Guariento (active 1338 - 1367-70) - Madonna Enthroned with the blessing child and a donor
1355-60
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The throne itself is an intricate construction, seemingly carved from marble or stone, and its design incorporates architectural elements reminiscent of Gothic cathedrals. The sculpted figures positioned around the throne appear to be saints or attendants, their poses suggesting reverence and service. Their placement within the throne’s structure reinforces the idea of a sacred space, a divine court.
At the lower left corner, a kneeling figure is depicted in vibrant red robes, his hands clasped in prayer. This individual likely represents a donor, whose presence signifies patronage and personal devotion to the subject being portrayed. The positioning of this figure at the edge of the composition creates a visual link between the earthly realm and the divine sphere.
The background is dominated by a golden halo that surrounds the central figures, creating an ethereal atmosphere and emphasizing their spiritual significance. The gold leaf application contributes to the overall impression of opulence and sacredness.
Subtly, the painting conveys themes of piety, power, and patronage. The elaborate throne symbolizes divine authority and majesty, while the donor’s presence underscores the importance of religious devotion and financial support for artistic endeavors. The serene expressions and gestures of the figures evoke a sense of peace and contemplation, inviting viewers to engage with the spiritual narrative being presented. The overall effect is one of solemn reverence and idealized beauty, characteristic of devotional art intended to inspire faith and piety within its audience.