#17489 Miro Mainou (1921-2000)

The composition presents a fragmented view of what appears to be an urban landscape, rendered in a style characterized by geometric abstraction and a limited palette. The artist has broken down forms into angular planes, eschewing traditional perspective and creating a sense of spatial ambiguity. A dominant ochre hue pervades the scene, punctuated by cooler tones of blue and grey, which contribute to a feeling of detachment and emotional restraint.
Here we see what might be buildings or architectural elements stacked upon one another, their outlines sharply defined and seemingly disconnected. The arrangement lacks a clear focal point; instead, the eye is drawn across the surface, tracing the lines and planes that constitute the scene. A reclining figure occupies the lower portion of the canvas. Its form is similarly deconstructed, appearing as a collection of angular shapes rather than a recognizable human body. This fragmentation reinforces the overall sense of dissolution and abstraction.
The painting’s subtexts revolve around themes of perception and representation. The artist seems to be questioning the conventional ways in which we understand and depict reality, opting instead for a subjective interpretation that prioritizes form over fidelity. The flattened perspective and fractured composition suggest a breakdown of traditional spatial relationships, perhaps reflecting a sense of alienation or disorientation.
The limited color range contributes to this mood, creating an atmosphere of quiet contemplation rather than vibrant expression. The work’s lack of narrative elements further emphasizes its focus on formal qualities – the interplay of lines, shapes, and colors – inviting viewers to engage with the painting on a purely visual level. It is possible that the artist intended to convey a sense of modernity, reflecting the rapid changes and uncertainties of an era marked by industrialization and social upheaval.