Raphael (Raffaello Sanzio) – Workshop of Raphael. God Father. Mural, transposed on canvas. Originally from a semi-circular niche from the Chapel in the papal residence at Magliana. 140 x 283 cm RF 48 Part 3 Louvre

The composition presents a figure seated centrally within a semi-circular format, suggesting its original placement within a niche or vault. The individual is depicted as an older man with a long white beard and flowing hair, clothed in robes of deep blue. He holds his hand out towards the viewer, seemingly bestowing a blessing or imparting knowledge.
The figure is enveloped by swirling clouds, which serve to elevate him visually and imbue the scene with a sense of divine presence. Surrounding this central figure are several winged figures, presumably angels, who appear to be actively engaged in presenting something beyond the frame – their arms extended outwards as if offering an unseen object or person. Their poses convey movement and eagerness, contributing to the dynamism of the overall composition.
The color palette is dominated by blues, whites, and muted earth tones. The blue of the central figure’s robes provides a striking contrast against the lighter hues of the clouds and angels. A warm ochre tone defines the background, creating an illusion of depth and further emphasizing the celestial nature of the scene.
Subtly, the arrangement suggests a hierarchical structure. The older man is clearly positioned as the dominant element, while the angels act as intermediaries or messengers. The gesture of his outstretched hand implies authority and benevolence. The semi-circular format itself reinforces this sense of completeness and divine enclosure. It’s possible to interpret the scene as representing a moment of revelation or divine bestowal, where knowledge or grace is being transferred from a higher power to those below. The angels active participation suggests an ongoing process rather than a static event.