Part 3 Louvre – Jean-Auguste-Dominique Ingres -- Angelica (Angélique), sketch for Roger Freeing Angelica
c.1819, 84х42
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s head is tilted upwards and slightly back, her eyes closed, suggesting a moment of reverie or perhaps even vulnerability. Her arms are raised, with one hand gently supporting herself against the red surface. This gesture introduces an element of precariousness; she appears to be momentarily suspended, reliant on the wall for stability. The long cascade of hair frames her face and adds to the sense of flowing grace.
The composition’s simplicity contributes to a feeling of quiet contemplation. There is no narrative context explicitly provided within the frame itself – it exists as a study, an exploration of form and pose rather than a depiction of a specific event. This lack of overt storytelling allows for multiple interpretations. The figure could be interpreted as embodying ideals of feminine beauty, or perhaps representing a moment of liberation from constraint, given the implied effort in her posture.
The artist’s focus on line and volume suggests an interest in classical principles of representation. The smooth rendering of flesh, combined with the idealized proportions, evokes the aesthetic traditions of Renaissance art. However, the stark background and somewhat flattened perspective introduce a modern sensibility, hinting at a departure from purely academic conventions. Ultimately, this drawing functions as more than just a study; it is an exploration of beauty, posture, and the potential for narrative within a single, carefully constructed image.