Part 3 Louvre – Jacob Jordaens the Elder (1593-1678) -- Diana Resting after the Hunt
1645-55, 203х264
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Around this central figure, a diverse group participates in what appears to be a post-hunt celebration. To her right, a young woman reclines on the ground, partially obscured by a pile of game – rabbits, birds, and a larger animal, likely a deer. Her gaze is directed downwards, conveying an air of melancholy or introspection that contrasts with the general atmosphere of merriment. A dog lies near her, seemingly guarding the bounty of the hunt.
On the left side of the painting, several male figures are arranged in a semi-circle. One man, bare-chested and bearded, holds a large bowl filled with fruit, while another appears to be playing a wind instrument. The presence of a satyr-like figure near the lower left corner introduces an element of mythological allusion, hinting at a connection to woodland deities and untamed nature.
The artist employed a rich palette dominated by warm earth tones – browns, ochres, and reds – which contribute to the overall sense of abundance and vitality. The lighting is uneven, with areas of strong illumination highlighting key figures while others remain in shadow. This creates depth and directs the viewers attention to specific points within the composition.
Subtleties within the scene suggest a complex interplay of themes. The juxtaposition of the reclining woman’s somber expression against the backdrop of celebratory activity introduces an undercurrent of introspection or perhaps even regret. The inclusion of mythological figures hints at a blurring of boundaries between the human and divine realms, suggesting that this gathering is not merely a social event but also a ritualistic observance. The abundance of game points to themes of prosperity and indulgence, while the overall atmosphere evokes a sense of fleeting pleasure and the inevitable passage of time.