Part 3 Louvre – Girolamo di Benvenuto -- Judgment of Paris
c.1500, 71см
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Between him and the viewer stand three female figures. The figure in the center is nude, her pose direct and confrontational. She gestures towards one of the other women with a pointed finger, seemingly indicating a choice or judgment. This central figure’s body is rendered with an emphasis on classical ideals of beauty, though the anatomical accuracy appears somewhat stylized. To either side of her stand two fully clothed women; one in a blue gown and the other in a vibrant red robe. Their expressions are more restrained than that of the nude woman, conveying a sense of expectation or perhaps anxiety regarding the impending decision. The woman in blue holds a golden chalice, adding another layer to the symbolic richness of the scene.
Above them, hovering amongst stylized clouds, is a winged figure – likely Cupid – holding a bow and arrow. His presence reinforces the theme of love and desire that underpins the narrative.
The background landscape is sparsely populated with trees and distant figures on horseback, suggesting a broader setting beyond the immediate interaction of the characters. The use of aerial perspective creates a sense of depth, though the details remain vague, drawing focus to the central group.
Subtleties in the arrangement suggest complex dynamics. The young man’s position – part observer, part judge – implies his role as an active participant rather than a passive bystander. The nude womans gesture and direct gaze challenge the viewer, demanding engagement with her presence and the power she wields within this mythological context. The contrast between the exposed body of the central figure and the modesty of the others highlights themes of beauty, desire, and judgment – all intertwined in a narrative that explores human fallibility and the consequences of choice.