Part 3 Louvre – Guercino (1591-1666) -- Vision of Saint Jerome
1620, 41х47
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a dramatic encounter between a man and a celestial being. The scene unfolds under a turbulent sky, dominated by dark clouds that suggest both foreboding and divine power. A figure lies prone on the ground, his body rendered with considerable anatomical detail; he is partially draped in a deep red cloth which contrasts sharply with his pale skin. His face is turned away from the viewer, obscuring direct emotional engagement but conveying an expression of distress or perhaps profound contemplation. He appears to be struggling against some unseen force, his limbs contorted and muscles strained.
Above him hovers a winged figure, clearly an angel. The angel’s posture is one of forceful descent; he leans forward, holding a golden trumpet to his lips as if sounding a warning or announcing a revelation. His expression is stern, almost severe, lacking any trace of gentleness. Light emanates from the angel and illuminates parts of the mans body, creating a stark contrast between light and shadow that heightens the dramatic tension.
In the lower left corner, partially obscured by foliage, rests a collection of objects: a skull, books, and what appears to be writing implements. These items suggest themes of mortality, scholarship, and spiritual discipline. The presence of the skull is particularly significant, serving as a memento mori, a reminder of deaths inevitability.
The artist’s use of chiaroscuro – the dramatic interplay of light and dark – is central to the painting’s impact. It not only emphasizes the physical forms but also contributes to the overall sense of spiritual struggle and divine intervention. The color palette is restrained, relying primarily on earth tones punctuated by the vibrant red cloth and the golden hues of the angels garments.
Subtly, the work explores themes of temptation, repentance, and divine judgment. The man’s physical distress could be interpreted as a representation of spiritual torment or the consequences of sin. The angel’s appearance might symbolize either divine punishment or an opportunity for redemption through acknowledgement of mortality and devotion to learning. The overall effect is one of intense psychological drama and profound religious significance.