Tiepolo, Giovanni Battista – La Vierge du Carmel apparaissant a Saint Simeon Stock. Lived in Kent as a hermit in a tree-trunk, hence the name. General of the Carmelite order 1265. Apparition of the Virgin 1251 (?). She gave him a scapula and promised, that every wearer would be assured of salvation. Canvas, 1720-22 RF 1983-44 Part 3 Louvre

The composition presents a dramatic celestial event unfolding above a scene of earthly turmoil. Here we observe a central figure, presumably female and radiating divine grace, ascending amidst swirling clouds and bathed in ethereal light. She is surrounded by cherubic figures, their poses suggesting both adoration and active participation in her ascent. The woman’s garments are flowing and richly colored, contrasting with the muted tones of the surrounding cloudscape.
Below this elevated scene lies a group of individuals engaged in what appears to be a moment of intense supplication or reverence. One figure, positioned prominently at the base of the composition, kneels in apparent prayer, his posture conveying profound humility and devotion. The other figures around him are depicted with raised hands, their faces turned upwards towards the apparition above, suggesting collective worship or pleading for divine intervention.
The artist has employed a strong diagonal perspective to emphasize the verticality of the Virgin’s ascent and to create a sense of dynamic movement within the composition. The clouds themselves are rendered with considerable skill, utilizing subtle gradations of color and light to suggest depth and volume. The overall effect is one of grandeur and spiritual significance.
Subtexts embedded in this work appear to concern themes of divine revelation, salvation, and the power of faith. The kneeling figure’s posture suggests a personal encounter with the sacred, while the surrounding group represents the broader community seeking solace or guidance. The Virgins ascension can be interpreted as a symbol of transcendence, offering hope and redemption from earthly suffering. The presence of cherubic figures reinforces the notion of divine assistance and heavenly blessing. The contrast between the serene celestial realm and the fervent earthly scene underscores the dichotomy between the temporal and the eternal, inviting contemplation on the nature of faith and its transformative power.