Part 3 Louvre – Ary Scheffer (1795-1858) -- Saint Augustine and His Mother, Saint Monica
1855, 146х114
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman stands adjacent to the man, her form enveloped in a flowing white garment – a habit indicative of religious devotion. Her face is turned skyward, eyes fixed on an unseen point beyond the visible horizon. The expression on her face conveys a sense of profound spiritual yearning or perhaps supplication. Her hands are clasped together in prayerful gesture.
The artist has employed a dramatic use of light and shadow to enhance the emotional impact of the scene. A strong beam illuminates the figures, highlighting their faces and emphasizing the texture of their clothing while leaving much of the background shrouded in darkness. This contrast creates a sense of depth and draws attention to the central subjects. The landscape beyond – the water and sky – is rendered with a muted palette, serving as an atmospheric backdrop rather than a detailed depiction.
Subtly, the arrangement suggests a narrative of intercession or spiritual guidance. The man’s upward gaze, echoing that of the woman, implies a shared focus on something transcendent. The womans posture and attire suggest she is acting as an intermediary, perhaps pleading for the man’s salvation or enlightenment. The contrast between their clothing – the earth tones of his robes versus the purity of hers – might symbolize a transition from worldly concerns to spiritual devotion.
The overall effect is one of quiet intensity and profound emotional depth, hinting at themes of faith, repentance, and maternal love within a framework of religious piety.