Johann Peter Hasenclever – Portrait of the painter Johann Wilhelm Preyer
1846. 153x100
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The background is densely populated with objects that contribute to the overall narrative. Shelves are filled with glassware – vases and goblets – arranged in a somewhat haphazard manner, suggesting an environment of creative activity rather than meticulous order. To the left, a still life arrangement of fruit – grapes, oranges, and lemons – is visible, hinting at potential subject matter for future works or perhaps serving as a visual reference point. A vibrant floral bouquet sits on a table to the right, adding a touch of color and naturalism to the scene.
A partially open box containing brushes rests near his feet, further emphasizing the tools of his trade. The backdrop is draped with a large orange cloth, which serves not only as a decorative element but also helps to define the spatial depth of the studio.
The man’s expression is serious and contemplative; he gazes directly at the viewer, establishing a direct connection that invites scrutiny and perhaps even admiration. Theres an air of self-assuredness about him, suggesting a seasoned professional comfortable in his environment. The lighting is focused on the subject, highlighting his face and hands while leaving the background slightly darker, drawing attention to his presence as the focal point of the work.
Subtly, the arrangement of objects suggests not just a workspace but also a curated display – a presentation of the artist’s world and interests. The inclusion of still life elements implies an engagement with traditional artistic subjects, while the overall composition conveys a sense of professional pride and dedication to his craft.